But be clear that stuff up until 1985 is far better covered in the books Isaacson has taken the stories from (sometimes distorting them in the process). This was great and makes the book worth the price. (Oct.More man, less tech, might have made a better bookĪt the end of this book Isaacson gives us some new information, especially relating to Job's family. (Gates's acerbic commentary on Jobs's romanticism often steals the page.) Still, Isaacson's exhaustively researched but well-paced, candid and gripping narrative gives us a great warts-and-all portrait of an entrepreneurial spirit%E2%80%94and one of the best accounts yet of the human side of the computer biz. Isaacson also sees the constructive flip-side of Jobs's flaws, arguing that his crazed perfectionism and sublime sense of design%E2%80%94he wanted even his computers' circuit boards to be visually elegant%E2%80%94begat brilliant innovations, from the Mac to the iPad, that blended "poetry and processors." The author oversells Jobs as the digital artiste pitting well-crafted, vertically integrated personal computing experiences against the promiscuously licensed, bulk-commodity software profferred by his Microsoft rival Bill Gates.
Journalist Isaacson (Albert Einstein) had his subject's intimate cooperation but doesn't shy away from Jobs's off-putting traits: the egomania the shameless theft of ideas the "reality distortion field" of lies and delusions the veering between manipulative charm and cold betrayal the bullying rages, profanity and weeping the bizarre vegetarian diets that he believed would ward off body odor and cancer (he was tragically wrong on both counts). If not the greatest of computer moguls, the late Apple Computer co-founder was certainly the most colorful and charismatic to judge by this compelling biography.
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